ZAKK WYLDE GUITAR RIG HOW TO

Who influenced your vibrato technique and all the harmonics you use? If you can sit around and play songs from your favorite band, that’s what keeps you interested. The bottom line is that you’ve still got to do the scales and exercises to develop the dexterity in your fingers so you can play, but when you’re hanging with your friends, you want to be able to play something cool. I learned some Sabbath stuff, and the big breakthrough was when I could play the “Back In Black” lick.

ZAKK WYLDE GUITAR RIG HOW TO

Leroy showed me how to play songs I wanted to play. I couldn’t stand it because the lessons were things like “Mary Had A Little Lamb.” I didn’t want to stick to it, so that’s when I started playing guitar. I actually started off playing piano for – literally – two weeks. He turned me onto stuff like Frank Marino and Mahogany Rush, Hendrix, John McLaughlin, and Al DiMeola. I was about 15 at the time, and he was 10 years older. He was playing all types of stuff, like Hendrix and Sabbath. I couldn’t believe someone could actually move their hands like that. I used to play football all the time, until I saw him play guitar. I had a guitar teacher named Leroy Wright. If you constantly write tunes, that’s the best way to evolve and to develop your own style. With almost every player, the way you end up evolving is through writing.

I listen to other players and check out other styles. Zakk Wylde: I constantly try to get better. Vintage Guitar: How has your style and technique changed over the years? Pull up a barstool and grab a cold one while we spend happy hour with the Wylde Man, discussing his new life as a member of the Black Label Society. On tour, Black Label Society will include Nick Catheanese on guitar and John DeServio on bass. The only other musician involved in making the record was drummer Phil Ondich, who doubles as Wylde’s drinking partner. In addition to handling all guitars and vocals on the new disc, Wylde played bass, piano, and co-production work.

His new band is called Black Label Society. Sonic Brew, his latest offering, marks a return to his heavier rock roots, but still incorporates the familiar elements of his blues and acoustic influence. Next, he released Book Of Shadows (’96), an acoustic album that showcased his songwriting. Stepping away from the metal scene, Wylde broke out on his own to front Pride & Glory, a blues-influenced power trio. And Live And Loud won a Grammy for Best Live Performance. He co-wrote and recorded No Rest For The Wicked (’88), Just Say Ozzy (’90), No More Tears (’91), Live And Loud (’93), and Ozzmosis (’97), all of which achieved multi-platinum success. In addition to his technical ability as a player, Wylde’s energy, image, and his love for Black Sabbath and Ozzy music made him a natural for the gig.ĭuring his 10 years with Osbourne, Wylde honed his chops and songwriting skills. He got his big break in ’87, when he was asked to audition for Ozzy Osbourne. As a teenager, Zakk Wylde gained notoriety as one of the hottest young guitarists playing the New Jersey Shore bar circuit.

Zakk wylde guitar rig